Osaze
Marketing & Motion Designer
I'm a multidisciplinary designer focused on campaigns, motion, and communication systems for technology and fintech brands.
Over the past few years, I've worked across brand campaigns, editorial content, launch videos, and event experiences, helping businesses translate complex products and infrastructure into visuals and narratives that feel clear, engaging, and easy to understand.
My work is particularly interested in the relationship between storytelling, systems, and visual communication, especially in spaces where design plays a direct role in how products and brands are understood across different touchpoints.

NGN Pricing Campaign
The NGN pricing campaign was created to communicate a relatively simple idea that most payment companies fail to explain clearly: transaction fees compound fast at scale. Fincra's pricing model offered a strong cost advantage for businesses processing NGN payments, but the challenge wasn't the pricing itself. The challenge was making the difference immediately understandable to businesses already used to standard percentage-based fees.

Instead of relying on technical comparisons or dense explanations, the campaign focused on visual storytelling and simple pricing scenarios that translated percentages into something more tangible. The goal was to make businesses feel the difference within seconds.





I led the creative direction and production of the campaign video alongside a broader rollout of supporting social assets. The work involved scripting, shooting, editing, animation, and adapting the campaign across multiple digital formats.





A large part of the process was finding the balance between education and conversion. The visuals needed to simplify financial information without losing urgency or commercial intent. Rather than treating the campaign as a collection of isolated assets, I approached it as a communication system designed to scale consistently across reels, static graphics, and motion content. The final campaign positioned pricing not just as a technical feature, but as a business growth advantage.
Payment Playbook
The Payment Playbook started as an attempt to make conversations around African payments more accessible and engaging for businesses outside the fintech bubble.

A lot of financial infrastructure content tends to feel overly technical or disconnected from the people it's trying to reach. This series aimed to approach the subject differently by combining editorial storytelling, motion, and visual systems into a recurring content format that could simplify industry trends and make them easier to follow over time.




The project extended across multiple formats including launch videos, newsletters, social assets, editorial graphics, and motion content. One of the biggest challenges was creating a visual direction flexible enough to support different types of content while still feeling recognizably connected as part of the same system.



I worked on the visual direction, motion design, illustration, and rollout assets across the series. Beyond the individual deliverables, a large part of the work involved building consistency across touchpoints and designing a structure that could evolve as the series expanded into new formats. What interested me most about the project was the opportunity to treat educational fintech content less like corporate communication and more like an evolving editorial experience.
Introducing Fincra
The Introducing Fincra video was designed to reintroduce the company's products and infrastructure in a way that felt easier to understand, visually engaging, and adaptable across digital platforms.

Financial infrastructure products often suffer from abstraction. Payments, collections, settlements, and APIs are difficult to visualize in ways that feel approachable to non-technical audiences. The challenge with this project was finding a visual language that could communicate those systems clearly without making the experience feel cold or overly technical. I developed the storyboard, illustration style, motion system, and animation direction for the campaign. The visual approach combined simplified environments, symbolic storytelling, and modular motion scenes that could scale across both the primary launch video and shorter social media edits.






Rather than focusing heavily on technical explanations, the video centered on clarity and pacing. The goal was to help viewers quickly understand what Fincra enables, how money moves through the ecosystem, and where the products fit into real business operations. The project eventually expanded into multiple short-form adaptations optimized for platforms like LinkedIn, Instagram, and Twitter, requiring the system to remain coherent across different durations and viewing contexts.
Event & Brand Experience
Designing for events required translating Fincra's digital identity into physical spaces that could communicate clearly in crowded and fast-moving environments.



The work spanned booth systems, environmental graphics, banners, printed collateral, roll-up displays, and supporting event assets across multiple conferences and fintech gatherings. One of the biggest challenges was maintaining consistency across surfaces with very different physical constraints while still ensuring the brand remained visible and understandable from a distance.



A large part of the process involved thinking beyond individual graphics and focusing instead on how people would experience the brand spatially. Messaging had to remain readable within seconds, visuals needed to hold attention in visually noisy environments, and the entire system had to feel cohesive across both large-format structures and smaller printed materials.




Experience & Tinkering
- Fincra
2023 — Now
Senior Brand & Motion Designer
- Fincra
2021 — 2023
Brand & Motion Designer
- Big Cabal Media
2020 — 2021
Graphics & Motion Designer
- ALX Launchpad
2018 — 2019
Graphics Designer
While my primary focus is brand and motion design, I like to tinker in other areas; visual identity exploration, illustration, and product motion.



















